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That Which Death Cannot Destroy

by Mutamassik

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  • Streaming + Download

    Purchasable with gift card

     

1.
Take the Hit 03:28
2.
3.
4.
B. Shebang 07:18
5.
Swampum 04:14
6.
7.
8.
9.
10.
11.
Dream State 04:18
12.
Marawi 04:35
13.

about

This album cannot be bought or sold.

'Take The Hit':
www.youtube.com/watch?v=jOfzWWV6MPs

soundcloud.com/user-504730143/mestizoblooddrums-la-famiglia-mix
soundcloud.com/user-504730143/marawi
soundcloud.com/user-504730143/el-gabbara-nox
soundcloud.com/user-504730143/swampum
soundcloud.com/user-504730143/future-ancient-ruins-lycanthropy-mix
soundcloud.com/user-504730143/habl-el-warid






Full Album Streaming:
www.youtube.com/watch?v=0dJB1tQIrVg

Artist has taken down the tracks from this website because their language insists on calling it 'free', which it is not.

The making of "That Which Death Cannot Destroy": A studio tour into stabbing strings, thundering drums, howling conviction by Giulia Loli May 24, 2010, Italy
Going from a predominantly raw urban experience (see: childbirth on Medicaid in Brooklyn, many etcs.) to a raw, rough, rugged rural experience has taught me many things.
Let me give props where props are due: A decade plus+ in the streets of New York City and Cairo cut my teeth; half that time in Nature, however, has kicked my ass. Not just once, but continuously. This has been a boot camp. If inner city life made me hard, Nature made me harder.
During the making of my latest record, I was mostly wearing a parka, long johns, 2 pairs of socks, 2 sweatshirts, pants and a hat and every time I exhaled a condensed pulmonary fog clung to the air undisputed-by-modern-science measuring the harshness of the situation (I'd take the parka and hat off when I got sweaty on drums and cello). I have to frequently cuddle my DAT which I record my masters onto to get it's digi-electronic guts warm enough to function. Couldn't an electric space heater solve the problem? No. The excess wattage makes the old, faulty electrical circuit jump. {The American gear (which 99% of our gear is, brought over from N.Y. on a ship with the entire $5,000 given to us by the U.S. government for being hard-working, poor and with child) is converted and stabilized by voltage transformers used by the U.S. military in the hairiest parts of Afghanistan--not proud, just real}. There is no central heating. We go deep into the forest to collect firewood, chop trees, burn burn burn. We make fires to stay warm (9 months out of 12). CAVEmen-style. We hike 4 miles up the mountain 5 days a week, bringing empty bottles to fill up at the mountain spring--whatever we can carry, our daily drinking water. Since the local water has been privatized it's chlorinated vapors (which we have to pay handsomely for) are best avoided. We've learned to cement up falling ceilings, maximize a piece of dirt to grow food (picking up some ripe sheep shit on the way to the mountain spring to make the vegetables pop), make a 3-month supply of fuel for heating water last 1 year by only having 15 minutes of hot water every other day--no matter how harsh the winter-- and feed 3 people on a buck. Our only form of transportation has been our son's stroller which we used well after he started walking to haul up large tanks of cooking gas. From it's beginnings on Atlantic Avenue, and after many brutal years of international service as person, baggage, tank, garbage rickshaw, it has once again been recycled as a safe home for cats. {Note: None of this new or harsh to anyone but us city slickers/urbanites/suburbanites/industrialites}.
We have a relationship to Nature that is mostly not Soft, Ethereal, Romantic as somehow propagated by Dabbling-Vegan-Hallmark-Hippies, but rather Tense, Negotiating, Respectful...Intense. There aren't many affectations here: When I bark and howl on 'Future Ancient Ruins' and many other tracks, it's a reflection of what I hear around me. Just as unaffected as the helicopter blades that incessantly circled my apartment in Brooklyn in 2002 (scanning the Atlantic Ave Falafel/Atlantic Seaboard/East River circuit just after 911?) and found their way on my tracks while I was making the 'High Alert' Ep.
I'm telling you this, a bell'100th of it all, because this has made me confront many things, including accountability/consumption...
But the sparkling gem has been the molecular realization that Resourcefulness makes you funky. Being able to make 'Something' useful and/or inspiring out of what most people call 'Nothing' is a gift usually bestowed upon the meek. <<<Something to think about when choosing Comfort over Hardcore>>> and/or when Life slips the comfort right out from under your feet.
Which leads to my upcoming P.E.I. theory....more later.
P.s./disclaimer: I'm not a luddite. Neither am I a glassy-eyed naturalist who proposes everyone 'drop out' to swing naked on vines.

credits

released February 15, 2010

All instruments (Drumkit, Cello, Re'q, Egyptian Tabla, Douf, Mazhar, Doumbek, Sagat, Keyboard, Accordion, Acoustic Guitar, Electric Sander, Vocal Choir, Turntables, SP-1200, Alesis HR-16, Akai S3000) & tracks performed, produced, written, mixed & engineered by Mutamassik at Rocca AlMileda/G.G.S.S. for Sa'aidi Hardcore Productions 2010 © & P: KMT BBB USA
Cover Art: G. Loli 'Keffiya Snake' (Freestyle Hand-Sewing with Paternal Grandmother's Found Vintage Thread, A B, Watercolor, Pencil, Ink on Paper)
Remastered by Peter Ericsson, Stockholm


except for "Marawi" at G.G.S.S., Brooklyn & "Dream State" drum recorded in S. California
Assistant Engineer: Meroe Amade' Memphis
Guest vocals: Meroe, V. Hanna el Qommos, Morgan Craft, Alessio Trillo', Paola, Khatira L. & Giuliapocalypse.
Scratched vocals: Zenzile the poet on "Dream" from 'Moment by Moment' on Peace/War compilation (Radical Records)
Jayne Cortez & unidentified Native American woman on "El Gabbara Nox"
Panamian Coyote Men on "Future Ancient Ruins"
Jello Biafra & Yasser Arafat
Morgan Craft: 'gat' on "Marawi"

"Thanks to God for letting the Holy Spirit through. Thanks to my family.
For Teta Aida-your struggle was not in vain.
That Which Death Cannot Destroy
...is the Spirit. It began like this:
Having so much materially to lose, obsessed with gaining more and gripped at the jugular by the fear of losing it, Americans are horribly disadvantaged and terrorized. The 'enemy' who (purportedly) does not fear death, but sees it as an emancipation from the bodily prison wields this potent (but questionable) conviction over the victims' heads. The belief in afterlife/the unseen is so powerful that it can be used as the most fearsome of weapons.
On the other side: There is no glory in killing and what is the use of such beliefs when the resulting earthly conduct is warfare?
On the inside: How can we judge unless we too have been faced with killing or being killed?
the Spirit jumps up in the music and jumps up in ears and jumps out of the world.
Politics and Spirituality (in the form of morals and ethics) twisted up into eachother: what political crisis, situation, polemic is not started by greed, injustice, disrespect, etc. which are results of man not acting ethically or morally just?

Musically motivated by funk & apocalypse - before, during and after which is the Soul." - 2010, G. Loli

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Mutamassik Dar Es Salaam, Tanzania

= Giulia Loli. Manual Arts Engineer. Copto-Etruscan Artisan-Line. Drums+Cello in post-punk Pgh while training as painter. Cut teeth as performer, turntablist, producer in NYC 90's avant garde & Cairo 2000. Amsterdam to East Africa. In service to Newly Ancient Spirituals-GOD
victorlijah@gmail.com
... more

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